Q&A – Register Overview

About the brand & the works
(1 – 22)

Formats & Editions
(23 – 37)

Authenticity & Certification
(38 – 50)

Framework & Presentation
(51 – 66)

Order & Delivery
(67 – 80)

Prices, Payment & Value
(81 – 92)

Returns, Warranty & Complaints
(93 – 100)

International Representatives
(101 – 104)

Care & Durability
(105 – 107)

Durability & Material
(108 – 117)

Process & Quality
(118 – 127)

WhiteWall & Collector's Value
(128 – 136)

  • 1. What is Brandhoek?
    Brandhoek is an international fine art brand that showcases wildlife in iconic interior scenes – a fusion of nature, design and photography.
    Each piece is produced, limited, and certified in Germany.

    2. How did Brandhoek originate?
    The idea originated from a series of photographic experiments to show animals in human habitats.
    Since 2021, it has become a brand that combines art and design.

    3. Who is behind Brandhoek?
    Artist and founder of Brand Mewis – Creative Director, photographer and designer – develops each work from the first draft to the final edition.

    4. What does the name “Brandhoek” mean?
    Brandhoek is a neologism – created from sound, feeling and origin.
    The name unites two worlds:

    “Brand”, which is also the artist’s first name, comes from the Old High German word brant and symbolically represents light, energy and inner ardor – the creative fire that moves everything.

    “Hoek”, from Dutch and Afrikaans, means corner, place, angle – a quiet space where something is created.

    Thus Brand + Hoek came into being – for him a fictional place between continents, between architecture and wilderness, between stillness and movement – ​​a place of burning beauty.

    5. What makes Brandhoek unique?
    Brandhoek combines photographic precision with aesthetic tranquility and a clear message: wilderness belongs in our consciousness, not just in museums.

    6 Are these photographs or digital compositions?
    Both – the basis is real photographs, which are combined compositionally in such a way as to create a photorealistic spatial illusion.

    7. Are the scenes real photographs or are they composites?
    The animals are photographed in real life, the interiors are digitally reconstructed. The final result looks like a single camera shot (Orthographic Hard Lock).

    8. What meaning lies behind the motifs?
    Each animal represents a feeling or a memory – tranquility, strength, vulnerability – and raises the question of how we deal with nature and places of retreat.

    9. Are there any themed series or collections?
    Yes, each series has its own theme and color concept – from African wilderness to the North Sea stillness or architectural editions.

  • 10. How long does it take to create a work of art?
    Between four and twelve weeks – depending on the complexity of the scene.

    11. Are there any descriptions of the works or background texts for the images?
    Yes, each work receives a brief description of its meaning, the animal species, and the source of inspiration.

    12. How are the works created technically and artistically?
    Each of Brandhoek's works emerges from a multi-layered, image-architectural process in which classical photography and digital craftsmanship merge into a new form of visual precision.

    The basis is real wildlife footage, supplemented by carefully selected interior and material studies.

    Spaces, lighting conditions and proportions are first sketched, colored and planned compositionally – similar to the work of a stage or lighting designer.

    Professional image editing and lighting simulation programs are used in the development process.
    Each scene is built up in numerous layers: color temperatures, shadow gradients, textures, reflections and light axes are set with millimeter precision.

    This process includes retouching, tonal adjustment, color calibration and digital exposure correction – a manual fine-tuning that can take days or weeks.

    The result is not a digital accident, but a precisely constructed composition with the clarity of a photograph and the depth of a painting.

    Brandhoek understands digital tools as instruments of a modern studio – they enable a visual language that is technically precise, technically masterful, and emotionally completely controlled.

    This is how the characteristic Brandhoek atmosphere is created: visually perfect, calm, balanced – and built in every detail.

    13. How many new works are created each year?
    Brandhoek works in rhythm with the seasons.
    Four editions are produced each year – each appearing like a chapter of an ongoing narrative.

    The winter edition opens in February/March, characterized by muted colors, North Sea light and the clarity of the space.
    In May/June, a cycle full of energy, dust, sun and movement follows.
    September belongs to textures, wood, stone, early light.
    The Cosmopolitan edition is released at the end of the year, in November/December: urban interiors, metropolises, modern elegance.

    This is how each work is created: strictly limited, museum-quality, and thematically linked – a balance of continuity and surprise.
    Brandhoek understands art as a cycle of the year: a recurring dialogue between nature, space and form.

  • 14. How can one be informed about new works?
    Via the newsletter on brandhoek.com or via hosts in the various countries (e.g. Ibiza, Mallorca, South Africa).

    15. Is Brandhoek a gallery or a brand?
    Both – a brand with the quality standards of a gallery and the self-image of an art project.

    16. Is there a permanent gallery or exhibitions?
    Brandhoek works with temporary exhibitions and private previews in different countries, not with permanent gallery spaces.

    17. Is it possible to meet the artist in person?
    At preview events or by invitation.

    18. Is it possible to receive a work with a personal dedication?
    Yes – upon request. The item will be personally shipped with a Hahnemühle certificate of authenticity.

    19. What does the guiding principle “It is not decoration. It is a space for reflection” mean?
    Brandhoek's works are not only meant to be beautiful, but also to stimulate reflection – on value, responsibility and silence in space.

    20. Are there any collaborations with museums or design houses?
    Yes – regularly with interior designers, hotels and curated exhibition formats. Each collaboration is agreed upon individually.

    21. Collaborations & Professional Access

    Brandhoek collaborates internationally with architects, designers, galleries, hotels and brands that consciously design spaces and understand aesthetics as an attitude.

    Every partnership is created through dialogue – with a focus on light, effect and atmosphere.

    22. Four ways of collaborating

    Design Partnerships – for architects, designers & interior projects
    Gallery Agreements – for Galleries & Art Spaces
    Hospitality Displays – for Hotels, Restaurants & Member Clubs
    Corporate Acquisitions – for companies

  • 23. Standard formats:
    60 × 60 cm
    75 × 50 cm
    90 × 60 cm
    80 × 80 cm
    120 × 80 cm
    100 × 100 cm
    150 × 100 cm
    120 × 120 cm
    180 × 120 cm

    24. The above-mentioned formats are standard in galleries and are designed to ensure optimal resolution and spatial effect.
    The print run varies for each collection (see website).

    25. Are there special sizes, formats, or designs? Yes, special formats and individual designs are created as part of selected commissioned work, special editions, and project-specific collaborations.

    25.a. Order concepts

    For individual works or exclusive commission concepts, interested collectors and partners can contact Brandhoek Studio directly.

  • 26. Can formats be adapted for specific rooms?
    Yes – Brandhoek offers project-based customization for architecture and interior design projects.

    27. How many copies are there of each work?
    Varies depending on the work and edition (see Current Editions & Works)

    28. Are the editions numbered and signed?
    Yes – each edition has a number (e.g. 7/25) and a digital signature via Verisart.

    29. Are there open or unlimited editions?
    No – Brandhoek works exclusively with limited editions.

    30. Are there any smaller special editions?
    Yes – for specific series or charity projects, clearly marked in the catalogue of works.

    31. Can multiple works be combined as a series?
    Yes – diptychs, triptychs or thematic series are part of the curation.

  • 32. Are there editions for businesses or hotels?
    Yes – with separate licensing agreements and special formats.

    33. What happens when an edition sells out?
    Then it is permanently closed – no reprint, no reprint.

    34. Are there any reprints or new editions?
    No – existing editions remain unchanged. New series will be redesigned.

    35. Will the limitation remain in place permanently?
    Yes – registered with Verisart and can no longer be changed.

    36. How do I know which edition number I will receive?
    The number is on the Hahnemühle certificate and on the machine itself.

    37. What distinguishes small and large formats in terms of their effect?
    Small formats appear intimate and precise, large formats architectural and sculptural – both are equally limited.

  • 38. How do I know which edition number I will receive?
    The edition number is printed on both the Hahnemühle certificate and on the work itself.
    Each number is part of the official Brandhoek register and can be digitally traced via Verisart.

    39. Can I select a specific edition number?
    Yes, as long as the desired number is not yet assigned, it can be reserved when purchasing.

    40. What distinguishes small and large formats in terms of their effect?
    Small formats appear intimate and precise; large formats unfold architectural presence – both are equally limited.

    41. Is there a certificate of authenticity?
    Yes. Each work is delivered with a Hahnemühle certificate and a digital Verisart certificate.

    Together, both systems form Brandhoek's double guarantee of authenticity.

    42. Who issues the certificate?
    The physical certificate is from Hahnemühle (Germany, founded 1584).

    Digital provenance is recorded via Verisart (London / Los Angeles).

  • 43. What is Hahnemühle certification?
    A counterfeit-proof authenticity document with two identical holograms – one on the work, one on the certificate.
    This ensures that each specimen can be uniquely identified.

    44. What does blockchain registration mean at Verisart?
    It permanently stores the authentication data in a blockchain – comparable to a digital fingerprint that can neither be altered nor deleted.

    45. Why is Verisart important for collectors?
    Because collectors worldwide can verify whether a work is genuine – regardless of the paper.

    The system documents provenance, origin, and value.

    46. ​​Is the buyer's name recorded on the certificate?
    Optional: Yes – the name can be entered in the Verisart registration or kept anonymously.

  • 47. What happens if the certificate is lost?
    A replacement can be requested using the serial number and the Verisart entry; the digital record remains permanently.

    48. Is the work signed?
    Yes – digitally via Verisart as well as physically via the Hahnemühle certificate.
    There is no visible front signature.

    49. How is authenticity verified?
    Through the combination of serial number (hologram), Hahnemühle certificate and the associated blockchain entry at Verisart.

    50. Is there a public registration number for the work?
    Yes – each work receives a Verisart ID, which can be accessed online via the QR code on the certificate.

  • 51. Which frame is used by default?
    The Brandhoek ArtBox frame has a 5 mm visible front edge, a 50 mm depth and 4 mm acrylic glass.

    52. What is an ArtBox frame?
    A minimalist, floating-looking frame – dustproof, UV-protected and gallery quality.

    53. What is the frame depth of the artwork?
    50 mm; this creates a sculptural effect on the wall.

    54. What material is the frame made of?
    Made of anodized aluminum, matte and colorfast.

    55. Are there different frame colors?
    Yes – standard colors are black and, in some cases, gold.

  • 56. Can the frame be individually selected?
    No – the ArtBox is part of Brandhoek's artistic expression and will remain unchanged.

    57. How will the artwork be hung?
    Metal rail on the back, flush with the wall, ready for installation.

    58. Is a suspension system pre-installed?
    Yes – every piece is completely ready to hang upon delivery.

    59. What hanging height is recommended?
    Top edge of the picture approximately 155 cm above the floor, centered at eye level.

    60. Which wall color is the best match?
    Off-white, beige or concrete tones (#EAE8E4 – #CFCBC6) underline the tranquility of the composition.

    61. How large should the distance be between several works?
    At least 40-50 cm, so that each work can have its own effect.

  • 62. How is the work illuminated?
    Evenly from above or from the side with neutral white light (4500 – 6700 K).

    63. What light color is ideal?
    Neutral white to daylight white; no spotlights or yellowish lamps.

    64. Should direct sunlight be avoided?
    Yes – the acrylic glass offers UV protection, but direct sunlight can change the color intensity.

    65. Does the artwork look better in bright or dark rooms?
    Both – bright rooms emphasize the architecture, dark rooms create dramatic depth.
    A calm, non-dominant background is important.

    66. Are there any tips for staging (interior design advice)?
    Yes – a virtual room visualization can be created with the selected artwork upon request.

  • 67. How does an order process work?
    Via brandhoek.com or via an authorized host.
    Individual production begins after payment is received.

    68. Where can a work be ordered?
    Available online in the shop or through representatives in Ibiza, Mallorca, South Africa and the USA.

    69. Can orders be placed through a representative?
    Yes – hosts coordinate orders that are produced in Germany.

    70. How long does production take?
    Approximately three to four weeks after ordering, depending on the edition and format.

    71. How long does shipping take?
    Within Europe approximately one week, internationally two to three weeks including customs clearance.

    72. Who produces the works?
    WhiteWall (Germany) – one of the world's leading fine art photo labs.

    73. How will the product be packaged?
    Double-boxed, shockproof, water-repellent – ​​gallery packaging with edge protection.

    73a. Can my order be delivered to a PO box or a military address?

    WhiteWall does not deliver to PO boxes or military addresses .

    These addresses often lead to delays or unsecured deliveries.

    Please provide a residential or business address instead to ensure safe and timely delivery.

    The desired delivery address can be selected during the ordering process.

  • 74. What are the shipping costs?
    Depending on the format and destination; the rates are displayed at checkout.

    75. Do you ship internationally?
    Yes – worldwide, insured, with shipment tracking and art transport option for large formats.

    Delivery countries can be found on the website; outside Europe by arrangement.

    76. How is shipping handled (freight forwarder, UPS, DHL, WhiteWall)?
    WhiteWall works with certified art logistics providers (UPS Art Service, DHL Premium, freight forwarding).
    Every shipment is insured and trackable.

    77. Is the shipment insured?
    Yes – up to the full purchase price.

    78. Can a work be picked up in person?
    Yes – available in Germany upon request and by arrangement.

    79. Is there a pickup option in Mallorca or Germany?
    Yes – both locations are possible

    79 a. Hang up a picture
    Always use two screws or hooks to hang your picture securely and straight.

  • 80. What happens if a product arrives damaged?

    Despite extensive and secure packaging of your order, shipping damage can unfortunately never be completely ruled out. If you notice any visible damage to the packaging upon delivery, please check the contents in the presence of the delivery person, if possible.

    If you notice any damage in this case, we would like to ask you to photograph the damage with your mobile phone and refuse acceptance.

    Of course, it's also possible that damage, for example from strong impact, is not visible from the outside and can only be discovered after receiving and unpacking the shipment. Please document the damage with two photos and contact us immediately with the photos.

    We will then contact you and arrange for a replacement production as quickly as possible. Please report this within 48 hours to brand@brandhoek.com .

  • 81. How are prices determined?
    Each price reflects production costs, format, limitation, and collector's value.

    All works are individually crafted and certified – an art object with provenance.

    82. Do the prices include the frame?
    Yes – the Brandhoek ArtBox frame is part of the overall artwork.

    83. Are the prices inclusive of VAT?
    Yes, final prices include statutory VAT; for exports, sales are net.

    84. Why do prices differ depending on the format?
    Larger formats require more material, more complex printing and shipping processes, and have a higher collector's value.

    Individual terms and conditions apply exclusively to curated projects or partners.

  • 85. How does the edition number affect the price?
    Early serial numbers are equivalent, later ones can increase in value due to demand in the collectors' market –

    Brandhoek itself does not change prices according to numbering.

    86. Are there price increases when availability decreases?
    Yes, as soon as an edition is almost sold out, its market value increases due to its rarity.

    87. Are there any discounts or special offers?
    No – Brandhoek does not use discount promotions.

  • 88. Are there any architect or gallery rates?
    Yes – via the Professional Access form on the website.

    89. What payment methods are accepted?
    Credit card, Stripe, bank transfer or – for B2B partners – invoice.

    90. Can I purchase by invoice?
    Yes, for vetted partners and projects after prior consultation.

    91/92 Can Brandhoek Works be considered an investment?
    Yes – through limitation, certification and blockchain provenance, they possess documented collector value.

  • 93. Can I return the item if I don't like it?
    No – each work is an individually manufactured unique piece and is therefore excluded from the right of withdrawal (§ 312g para. 2 no. 1 BGB).

    94. Why is there no right of withdrawal?
    Since each work is made to order – with personal certification and edition number – it is legally considered a custom-made piece.

  • 95. Is there a guarantee?
    Yes – five years on material and production quality.

    96. What happens in case of transport damage?
    The item will be replaced or repaired free of charge; the transport insurance covers the damage.

    97. What if the frame is damaged?
    Frames will be remanufactured if the damage is reported within 48 hours of delivery.

  • 98. What if the acrylic glass is scratched?
    The acrylic can be replaced without any loss of appearance.

    99. Can the work be replaced later?
    Only in cases of technical defects or transport damage – not for reasons of taste.

    100. Are spare parts available (e.g., suspension)?
    Yes – suspension profiles and accessories can be reordered free of charge.

  • 101. Are there international representatives?
    Yes – currently in Ibiza, Mallorca, South Africa, the USA and Germany.

  • 102. Where can I find Brandhoek's contact person?
    They are all listed on the website under Brandhoek Circle .

  • 103. How are representatives selected?
    Personally selected by Brandhoek – based on style, integrity and network.

    104. Can one become a representative oneself?
    Only by invitation or recommendation of existing representatives.

  • 105. How do I properly care for my Brandhoek work?

    Maintain your picture by gently wiping it with a dry, lint-free microfiber clothwithout pressure and without cleaning agents .

    Avoid using glass or household cleaners, as these can damage the surface, especially on acrylic or metal prints.

    Tip:
    Occasionally dust your work gently, and ensure a consistently warm room temperature.

  • 106. Care instructions

    Avoid exposing your image to direct sunlight or heat sources (e.g., above a heater).

    Take the humidity into account depending on the product.


  • 107. How do I clean photo prints behind acrylic, metal prints or canvases?

    Use a soft, dry, and lint-free cloth (e.g., microfiber).

    Please do not use glass cleaners or chemical agents – they can damage the surface.

    Do not apply pressure when wiping to avoid micro-scratches.

    This way, your WhiteWall artwork will remain flawless and clear for many years.

  • 108. How long do Brandhoek power plants really last?

    Every Brandhoek work is produced under laboratory and gallery conditions.

    The prints are produced on high-quality, light-sensitive photographic paper and then mounted under acrylic glass. This process guarantees colorfastness for at least 75 years – and considerably longer with proper hanging.

    The materials used are archival quality and are also used in international museums.

    109. What exactly does “75 years of color stability” mean?

    The value is not a marketing promise, but the result of standardized aging tests.

    Under controlled light, climate and humidity, these prints only show minimal color changes after decades.

    For the collector, this means that a Brandhoek work retains its brilliance for generations, even with changing room temperatures or lighting conditions.

    110. Why don't Brandhoek prints fade like conventional photographs?

    Conventional prints or mass photographs are based on simple inks or inferior papers.

    In contrast, Brandhoek works are created using genuine photochemical exposure on premium paper from Fuji or Kodak, which is designed for archiving.

    These layers react much more slowly to UV light – and the acrylic glass also acts as a natural UV filter .

    111. What role does acrylic glass play in durability?

    The acrylic glass protects the artwork in several ways:

    It blocks up to 92% of UV radiation , prevents dust and moisture ingress, and stabilizes the image surface.

    Furthermore, the acrylic glass remains optically neutral, which preserves the depth effect of the image.

    This creates a combination of protection and brilliance that is hardly achievable with open-ended securities.

  • 112. How can I contribute to ensuring that my work remains brilliant for decades?

    Maintenance is simple:

    – Avoid direct sunlight or extreme heat (e.g., above radiators).

    – Maintain a balanced indoor climate with moderate humidity.

    – Clean the surface only with a dry, soft microfiber cloth – without pressure, without cleaning agents.

    This ensures that the artwork remains permanently clear, colorfast, and flawless.

    113. What happens to the colors after many years? Do they age visibly?

    Under normal room lighting and stable humidity, Brandhoek works show no visible changes over decades.

    The dyes and paper layers were designed to remain chemically stable.

    At most, after several decades a light, natural warm tone may develop – a sign of authenticity reminiscent of classic gallery prints.

    114. Why are Brandhoek's works also suitable for museums and galleries?

    Museums require materials that are durable, neutral, and reversible .

    The Brandhoek prints produced by WhiteWall meet precisely these standards:

    acid-free substrates, age-resistant papers, acrylic glass with UV protection and permanent bonding to aluminium Dibond.

    This means they are certified for professional hanging and archiving.

  • 115. How do WhiteWall prints differ from regular art prints in terms of lifespan?

    A simple art print – for example on canvas or paper – uses water-soluble inks and will warp over time.

    In contrast, WhiteWall uses exposed real photographic paper and chemical development.

    The result is a true photographic image with uniform color depth that neither cracks nor visibly fades.

    It is the highest level of photographic reproduction available on the market .

    116. What is the difference between digital printing, fine art pigment printing, and photographic printing?


    • Digital printing: simple application of ink to paper; cost-effective, but less durable.

    • Fine art pigment printing (Giclée): high-quality pigment inks on Hahnemühle or Baryta papers; very vibrant colors and durable for decades.

    • Photographic print: chemically exposed, light-sensitive paper (e.g. Fuji Crystal Archive), developed and fixed – the classic, museum-quality photographic technique.

      Brandhoek uses photographic prints under acrylic for his editions, which offer maximum depth and durability.

    117. Why doesn't Brandhoek use simple digital prints?

    Because a Brandhoek work is not a poster, but a collector's item.

    Digital printing can be technically impressive, but it loses density, sharpness, and authenticity over time.

    In contrast, WhiteWall's acrylic photo principle creates a sculpture of light and depth – with real substance, museum standard and decades of stability.

  • 118. How does the "photo print under acrylic" process work technically?

    The process combines traditional darkroom techniques with modern precision.

    The image is not printed, but exposed with laser light onto real, light-sensitive photographic paper (e.g. Fuji Crystal Archive).

    Afterwards, the paper is chemically developed, fixed, rinsed and dried – exactly like analog photographic prints.

    The finished print is then laminated onto an aluminum Dibond panel and sealed with acrylic glass .

    The result is an absolutely flat, brilliant image with a deep spatial effect.

    119. What advantages does the chemical exposure process have over inkjet or plotter printing?

    While inkjet prints place dots of color on the surface, the photochemical process exposes each layer of color deep within the paper .

    This results in more uniform color reproduction, finer transitions and impressive optical depth .

    Furthermore, the dyes in the light-sensitive layers are chemically more stable and react significantly more slowly to UV light or oxygen.

    120. Why do Brandhoek's paintings appear so deep, sharp, and real?

    The depth arises from the combination of several levels:


    • the chemically exposed photographic plane ,

    • the reflection-free acrylic glass layer ,

    • and the visually neutral aluminum back panel .

      This layered system focuses the light like a lens, creating a subtle, three-dimensional presence – almost like a sculpture made of paint.

  • 121. How does the combination of aluminum composite panel, photo print and acrylic glass contribute to the brilliance?

    Each layer fulfills a precise task:

    • Photo print: delivers maximum color depth and contrast.
    • Acrylic glass: enhances luminosity, filters UV light and provides mechanical protection.
    • Alu-Dibond: stabilizes and prevents warping or the effects of moisture.

    The result is an optical purity that controls the light – and gives the work the typical Brandhoek clarity.

    122. What distinguishes a real photographic print from a print on paper?

    A print on paper is a surface product.

    In contrast, a photographic print is a chemical process : light hits silver halides and forms dyes deep within the material.

    This creates natural transitions, no halftone dots and no surface gloss.

    The image is homogeneous, genuine, and physical – not a printing effect, but light trapped in matter .

    123. Why does Brandhoek work exclusively with WhiteWall technology?

    WhiteWall is one of the few producers worldwide that manufactures both classic photographic prints and state-of-the-art acrylic laminations of museum quality.

    Every step – exposure, development, lamination, sealing – takes place in controlled laboratory conditions in Germany.

    Brandhoek uses WhiteWall because the technical precision of the production there matches the artistic demands : uncompromising, consistent, perfectly reproducible.

    124. Why was WhiteWall chosen as the production partner for Brandhoek?

    Because WhiteWall is a seal of approval of the highest level : multiple awards (including TIPA, DigitalPhoto, EISA) and recognized worldwide for museum quality.

    Their processes are standardized, ISO-certified, and guarantee color fidelity for decades.

    For Brandhoek, this means absolute consistency – every edition, every collector, every exhibition receives the same level of quality.

  • 125. What exactly does “gallery quality” mean at WhiteWall?

    “Gallery quality” is not a marketing term, but a technical classification.

    She describes works that


    • are colorimetrically calibrated,

    • based on archival materials,

    • plan concealed,

    • Dust-free sealed and

    • were tested for long-term stability.

      A gallery-quality work can be hung directly without further framing or archived in museums – just like Brandhoek editions.

    126. What materials does WhiteWall use for Brandhoek editions?

    WhiteWall uses only certified raw materials:


    • Fuji Crystal Archive DP II photo paper (professional silver halide base)

    • 4 mm acrylic glass (GS/XT) , UV-stabilized and polished

    • Aluminum composite panel, 3 mm thick , dimensionally stable, acid-free

    • Silicone lamination , permanently elastic and bubble-free

      These materials are designed for long-term archiving and meet museum standards.

    127. Which certifications or tests ensure quality?

    WhiteWall products undergo internal and external quality tests – including light aging, temperature and humidity cycles.

    The company is compliant with ISO 9706 (archival stability) and ISO 12647 (color management) .

    For Brandhoek, certificates of authenticity, blockchain registration and holograms are also integrated – so that each work is not only technically, but also documentaryally secured.

  • 128. Why is a Brandhoek factory a long-term investment?

    Each Brandhoek work is part of a limited edition and is produced under conditions that are otherwise only found in museum prints.

    Through the combination of digital original creation, photochemical process, certificate and blockchain registration, each work has verifiable provenance.

    This authenticity, combined with the documented edition, makes each piece a lasting investment in the art and design market .

    129. What role does archival stability play in the collectors' market?

    Collectors and curators demand works that do not age – neither visually nor materially.

    The materials used by WhiteWall (photo paper, acrylic, Dibond) are acid-free, dimensionally stable and tested for decades of archiving .

    A work that still shines unchanged in 50 years retains its market value – and gains cultural weight over time.

    130. Why is the production process more expensive – and why is it worthwhile?

    The difference lies in the precision:

    Exposure instead of printing, handwork instead of mass production, laboratory process instead of machine operation.

    Chemical development, acrylic sealing, and quality control require time and experience.

    The result is not a decorative product, but a collector's item of museum-quality durability – the investment in quality pays off through longevity.

    131. What are the differences between a WhiteWall print and a conventional photo print?

    Even at first glance:

    Colors appear deeper, more fluid, more three-dimensional .
    No visible grid lines, no pixels, no surface grain.
    Under light, a spatial clarity unfolds, reminiscent of glass objects.

    A WhiteWall print is not a surface – it is a layer of light, color and space , and therefore unique.

  • 132. How does a digital Brandhoek motif become a real work of art?

    The image is created digitally in the highest resolution, often with 8K details, precise geometry and calibrated color composition.

    This file serves as the template for a real photo print.
    In the laboratory, the motif is exposed to laser light, developed, and then encased in acrylic .

    In this way, a digital original becomes a physical work with material presence – light is transformed into substance.

    132. What chemical processes make the photograph indestructible?

    During development, silver halides react with color couplers to form stable dye molecules that lie deep within the paper emulsion.

    These molecules are largely resistant to oxygen, moisture and UV light.

    In combination with the airtight acrylic sealant, a surface is created that is practically immune to oxidation or fading .

    133. Why is Brandhoek's work described as a "photographic sculpture"?

    Because every work of art acts like an object in space.

    The orthographic composition principle, the rich depth of the acrylic glass and the precise lighting transform an image into a physical form.

    A Brandhoek work reflects and focuses light – it exists not only on the wall, but in the room itself .

    134. How do light, space, and material influence the experience of a work of art?

    Brandhoek's paintings react to their surroundings like sculptures react to lighting.

    Natural light brings out transparency and depth, while directed spotlights emphasize structure and contour.
    Acrylic glass and paper together act like an optical membrane that modulates the light.

    This creates a different experience each time – a lively interplay between space and artwork.

  • 135. How durable are digital prints and photographic prints?

    The long-term stability of pigment prints and true photographic prints is crucial for their quality. At WhiteWall, we prioritize the use of materials from renowned manufacturers and time-tested production processes. We pay particular attention to the durability of our prints during rinsing, fixing, and drying. This allows us to guarantee that our Brandhoek works will last at least 75 years under exhibition conditions, ensuring they are fade-resistant.

    Furthermore, you too can contribute to preserving the colorfastness of your artwork. It is advisable to protect your work from direct sunlight and high humidity, as these factors can negatively affect its longevity. By taking these precautions, you can ensure that your print or photograph remains vibrant and colorfast for many years to come.

    136. What distinguishes a Brandhoek work from a conventional mural?

    A mural decorates – a Brandhoek work defines space.

    It combines technical perfection, documented provenance and a clear aesthetic concept: the meeting of nature and design in absolute tranquility.

    Each work is an original with its own signature, edition, and history .

    What remains is not just a picture, but a piece of timeless present .